Father Segade was also the one who directed the choir (the Cantoria de la Basílica del Socorro) in the first version of the Creole Mass. Once the sketches on the structure were made, another priest and choir director, Father Jesús Gabriel Segade, was the one who made the choral arrangements. Īlready in the sixties, Ariel Ramírez discussed his idea with a friend from his youth and priest, Father Antonio Osvaldo Catena, at that time president of the Episcopal Commission for South America, who was the one who conceived the idea of «composing a mass with rhythms and musical forms of this land ».
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I understood that I could only thank them by writing a religious work in their honor, but I did not yet know how to do it. Both works are related and on some occasions the confusion may arise from considering that our Christmas - or some of its themes - make up the Creole Mass. Simultaneously with the Creole Mass, Ariel Ramírez composed Our Christmas, with lyrics by the poet and historian Félix Luna, and included as side B of the album. The work was composed and recorded in 1964 and released as an album in 1965, with the folk group Los Fronterizos - Eduardo Madeo, Gerardo López, Julio César Isella and Juan Carlos Moreno - (voices), Jaime Torres ( charango ), Chango Farías Gómez ( percussion), Raúl Barboza (accordion), Luis Amaya (guitar), the Cantoría de la Basílica del Socorro - directed by Father Jesús Gabriel Segade - and an orchestra made up of regional instruments - directed by Ariel Ramírez himself. The work is dedicated to two German sisters, Elisabeth and Regina Brückner, who helped the prisoners of a concentration camp during Nazism with food.
The liturgical texts were translated and adapted by the priests Antonio Osvaldo Catena, Alejandro Mayol and Jesús Gabriel Segade. The Creole Mass is a musical work for soloists, choir and orchestra, of a religious and folkloric nature, created by the Argentine musician Ariel Ramírez (1921-2010). Cover of the album La misa criolla by Ariel Ramírez (1964).